It’s about time that I get back to my Artist Spotlight series! Since joining Twitter.com I have got in touch with tons of other artists out in the world. It’s amazing what a simple networking website will help you accomplish! Anyway I’ve a whole new army of artists that I’d like to do spotlights on, but the first one is Rebekah Joy Plett.

>> When You Believe in Things You Don’t Understand – Oils

Rebekah’s work is fabulously whimsical. It brings to mind children’s book illustrations and dream imagery all rolled up and garnished with a hint of surreal. Her palette is colorful, bright, and packs a powerful punch to the observer. Her subjects are always engaging and inspiring. The details are intricate, but not so overdone as to detract from her compositions.

>>The Eclectic Nurse – Oils

I enjoy her art simply because it speaks to me. It’s well drafted, nicely composed, and in general leaves me with a sweet taste in my mouth. I yearn to know the story behind each image, and I find myself getting lost in the piece trying to explore all of it at once. There tend to be fun surprises to discover in each one! It would definitely be considered an “illustrative” sort of style in my book.

When asked about her inspirations for her work, she responded with a small library’s worth of artists! Her first and foremost one was Caravaggio which is clearly reflected in her work with dynamic posing and astute use of the Chiaroscuro technique. Others that she cited include Arthur Rackham and J. W. Waterhouse.

>>Words Take Flight – Oils

Rebekah’s portfolio can be visited at CatchtheRedBalloon.com but her blog is where all of the fun and magic happen. Right now she has a contest going on, you should go check it out! I also urge you to follow her on Twitter; she is very friendly!

Images used with permission, please do not distribute or use them in any way!

Today we’ve got a fantastic article written by a guest poster, Kelly McKernan. She was originally featured on this site as an Artist Spotlight, and I’m glad to bring her back again, this time as the author of a great article geared to those artists still in school. It is a great follow up to the post I wrote last week. The original is reposted with permission:

“If you’re in art school, and you feel like you’re wasting your time, then leave. You don’t need it, but if you can benefit from it in some way, make it happen. Just don’t let those years feel like a waste…”

(continue reading…)

The realization that I had been treating art like a hobby instead of a career blindsided me early in the morning last Thursday. There I sat at my day job, wondering why all of my efforts to make art a full time venture just weren’t working. Wallowing in thoughts about if I was made of the right stuff to make this successful and what I was doing wrong, it hit me:

A career is the way you make your money, survive in the world, and create your livelihood. Ideally, it is supposed to be something that you truly love and cherish; something that makes you eager to get up in the morning to do.

A “hobby is an activity or interest pursued for pleasure or relaxation and not as a main occupation.” (1) (continue reading…)

This week’s artist spotlight post is about another big influence of mine– although this artist is from a long time ago. Alphonse Mucha the Czech illustrator, alive and active mostly during the 19th Century, is very influential and inspirational to me. I wrote a long research paper in college examining the ideas behind his work (and how it fit into the Art Nouveau movement)… one on which I made an “A,” I might add.

Zodiac – © Alphonse Mucha

I think that art history is a very important piece of education that every successful artist should have. Even if you did not go to college for art, in my opinion it is endlessly important to study and learn about what art is, where it was been, and who has been doing it. Everything in art influences everything else, and studying how it was evolved is not only critical, but fascinating. Because I took extra history classes in college, I had the pleasure of learning about Alphonse Mucha, the Art Nouveau movement, and how it has influenced artists and illustrators alike since.

Champagne Label – © Alphonse Mucha*

Mucha’s work ranged from simple decorative panels to posters (most notably being those for Sarah Bernhardt’s plays), from beautiful fine art paintings and drawings to the breath-taking Slav Epic. He also did sculptures and a variety of jewelry designs, all of which are inspirational, beautiful, and delicious to look at.

Apotheosis from the Slav Epic – © Alphonse Mucha

I’ve many an art book about him, and have studied about him at length– which is why you can easily see elements of his style pop up in my work from time to time. I am very into decorative art, and it shows. Go take a look at my Gallery and see if you can determine how each of my pieces was influenced by Alphonse Mucha. If you can’t, you should totally do some reading about Art Nouveau, and check out the official Mucha Foundation website to learn more about this fantastic artist. I would write more in depth here, but after writing a fifteen page paper about him, I feel like I’ve written all I can write. Perhaps I should post it here sometime for others to peruse. Interested? Comment and tell me!

*… for those of you very attentive readers who were inspired to visit James Jean’s blog last week may have noticed that Jean has just done some alcoholic beverage bottle designs of his own. I love seeing parallels like this!

For this week’s inspirational post, I thought I’d post about one of the single biggest professional inspirations I’ve had thus far: James Jean. He is a famous illustrator, and he’s done the covers for Fables (and other comics) for years now as well as created lots of freelance work for all sorts of clients the world over. He has shown up in magazines, CD covers, on television, and even in Prada stores. He has now gone one step further, and started focusing on his art for himself, with his first big gallery show “Kindling” at the Jonathan Levine Gallery in New York.

Wolves – Fables Trade Paperback #8 – Acrylics on paper with Photoshop. © 2006 James Jean.

I was inspired by Mr. Jean quite some years ago when my friend John Fuller handed me the first Trade Paperback of Fables. I’m pretty sure I had been complaining that I hadn’t read any comics recently (but I always complain about that), and he let me borrow it to read. Obviously I was instantly hooked on the comic itself, but I also found the cover artist to be extremely intriguing. I remember examining each piece with great intensity, frankly amazed at what I saw.

Sigur Ros for Future Music Magazine – Graphite and white chalk on Rives with Photoshop. © 2006 James Jean.

It was some time later before I found his website, and really got a good idea about what he did. Up until that point, my artist goals had been… well, rather mutable in nature. I had never even known about the concept of a freelance illustrator that could do everything from magazine illustrations to comic covers until I surveyed his work, and realized that THAT was what I wanted to do with my art. My goal was set, and so began my own journey to find that career.

Swan – Acrylic, oil, and pastel on linen. © 2008 James Jean.

His work itself is delicious. Flowing, graceful lines, fascinating and unexpected color palettes, ethereal and sometimes downright creepy subject matters and presentation make for one awesome package to swallow. A lot of his images tend to hit the eye with a quick– SPLASH!, and then once you’ve taken a moment, it really begins to steep and soak into your brain. The movement and compositions of each piece are phenomenal, and really make sure the eye travels around the entire visual plane. Watching an artist grow, change, and really push his work into new territories over the years is a fascinating and wonderful experience. I personally hope he continues to inspire not only me, but other artists and illustrators, for quite some time.

Please make sure to check out his website, JamesJean.com, and his blog, Process Recess to see his artwork. He has also published a number of art books that you should check out, my personal favorite being Fables: Covers (of course!).